Teleharmonium      
                  The Teleharmonium (Also Called The Dynamophone) Was Associate Early Electronic Device, Developed By Thaddeus Cahill In 1897. The Electrical Signal From The Telharmonium Was Transmitted Over Wires; It Absolutely Was detected On The Receiving Finish By Means That Of 'Horn' Speakers.
                  Like The Later Hammond Organ, The Telharmonium Used To new heels To Come Up With Musical Sounds As Electrical Signals By Additive Synthesis.

               Cahill Engineered 3 Versions: The Mark I Version Weighed Seven Tons. The Mark II Version Weighed Nearly Two Hundred Tons.  Every Was A Substantial Advancement Over The Options Of Its Forerunner. A little Variety Of Performances Ahead Of A Live Audience Got Additionally To The Phone phone Transmissions. Performances In Ny (Some At "Telharmonic Hall", Thirty Ninth And Broadway) Were Well Received By The General Public In 1906, And Therefore The Performing Artist Would Sit At A Console  To Regulate The Instrument. The Particular Mechanism Of The Instrument Itself Was Thus Giant It Occupied A Complete Area — Wires From The dominant Console Were Fed Discreetly Through Holes Within The Floor Of AN Area Into The Instrument Area Itself, That was Housed Within The Basement Below The Hall.

              The Telharmonium Foreshadowed Trendy Electronic Musical Instrumentation In An Exceedingly Variety Of How. As An Example, Its Sound Output Came Within The Sort Of Connecting Standard Phone phone Receivers To Giant paper Cones — A Primitive Sort Of Speaker System. Indeed, Cahill Was Noted For Speech Communication That magnetism Diaphragms Were The Foremost Desirable Suggests That Of Outputting Its Distinctive Sound.

             Although No Recordings Exist Of The Telharmonium, Observers According That Its Sound Was Terribly Clear And Pure —In All Probability Pertaining To The Circular Function Tones It Absolutely Was Capable Of Manufacturing. However, It Absolutely Was Not Restricted To Such Easy Sounds. Every Tone wheel Of The Instrument Corresponded Toone Note, And, To Broaden Its Prospects, Cahill Other Many Further Tone wheels To Feature Harmonics To Every Note. This, Combined With Organ-Like Stops And Multiple Keyboards (The Telharmonium Was Polyphonic), In Addition Asvariety Of Foot Pedals, Meant That Each Sound Can Be Carved And Reshaped — The Instrument Was Noted For It’s abilityto Breed The Sounds Of Common Musical Organization Wind Instrument Instruments Like The Flute, Bassoon, Clarinet, And Additionally The Violoncello.

             The Telharmonium's Death Came For Variety Of Reasons. Its Vast Size, Weight And Power Consumption (This Being In An Age Before Vacuum Tubes Had Been Invented) Caused Obvious Issues. Additionally, Issues Began To Arise Once phone phone Broadcasts Of Telharmonium Music Were Subject To Noise And Unsuspecting Phone phone Users Would Be Interrupted By Strange Electronic Music. By 1912, Interest During This Revolutionary Instrument Had Modified, And Cahill's Company Was Later Declared Not Booming In 1914.

              Cahill Died In 1934; His Younger Brother Maintained The Mark I For Many Years, However Was Unable To Interest Anyone In It. This Was The Last Version To Be Scrapped, In 1962.