The Denis D'or ("Golden Dionysus") Is, Within The Broadest Sense, The Primary Electrical Instrument In History.
It Was Fancied And Created By The Czech The ologist Václav Prokop Diviš (1698 - 1765) — His Cognomen Is Pronounced "Deevish" And Sometimes Spelled "Divisch" — At His
Parish Within The Moravian City Přímětice Close Toznojmo Within The South-East Of What's Currently The Czech Republic. He Was Additionally A Pioneer Of Analysis into Electricity, Being Most Famed For Having Fancied The Lightning Rod In Europe, Contemporaneously
With However severally Of Scientist.
His Passion For Music Was Topped By The Development Of Quite Extraordinary Instrument He Named "Denis
D'or", With The French "Denis" Etymologically Going Back To
"Dionysus", Whose Czech Counterpart Is "Diviš" — Thus The Name.
The Earliest Written Mention Of The Denis D'or
Dates From 1753, However It's Possible That It Already Existed Around 1748. Some Sources Even Date Its
Existence As So Much Back Because The Year 1730, However This Claim Is traditionally Unreasonable And Not Supported By Any Offered Info On Diviš's Life History And Work. Sadly, Once diviš's Death In 1765 The Distinctive Instrument Was Sold-Out And Eventually Delivered To National Capital, Wherever It Presently Nonexistent While Not Trace. What's A Lot Of, Living Documents Concerning The Denis D'or square
Measure Short And Really Few, Therefore Our Image Of It Should Stay Rather Fractional. A Minimum Of some Facts Square Measure Familiar, However, And These Will Be Summarized As Follows:
The Denis D'or
Had Fourteen Registers, Most Of That Were Two fold, And Its Complicated Mechanism Fitted During Asymmetrical Wood Cupboard Equipped With A Keyboard And A Pedal. It Had Been Regarding A Hundred And Fifty Cm Long (5 Ft), Ninety Cm Wide (3 Ft), And One Hundred Twenty Cm High (4 Ft). Basically, It Had Been A Stringed Instrument Not Not Like A Stringed Instrument — In Alternative Words, The Strings Were Smitten, Not Plucked. However, The Suspension And Also The Tautening Of The Various Metal Strings (Which, It Is Said,
Numbered Associate astonishing 790) Were Way More Elaborate. The Ingenious Mechanism, That Had Been Figured Out By Diviš With conscientious Mathematical Accuracy, Was Such The Denis D'or May Imitate The Sounds Of A Full Type Of Alternative instruments, As Well As Chordophones Like Harpsichords, Harps And Lutes, And Even Wind Instruments. This Was primarily Attributable To The Exceptional Responsiveness And Combinability Of The
Stops, That Allowable The Player To Vary The Sound In Varied Ways That, Thereby Generating Much More Than 100 Totally Different Tonal Voices Altogether. However The Foremost Special Feature Was That Diviš (Temporarily) Charged The Iron
Strings With Electricity so As That The Sound Quality May Be Increased — "Purified", Thus To Talk. This Was Associate Absolute Novelty At The Time. In Addition, He Put In A Gimmick So, Any Time He Needed, The Player May Well Be Given An Electrical Shock.
Diviš Was The Primary Person To Foster The Concept Of Associate In Nursing Aesthetic Affiliation Between Music And
Electricity. Before Him No One Had Perceived The Aesthetic Potential Of Electro-Acoustic Effects. Within The Face Of Electrical Analysis Still Being In Its Early
Infancy Within The Middle Of The Eighteenth Century, This Revolutionary Plan may Then, Of Course, Solely Be Technically Accomplished By Diviš Within The Most Primitive Method. But, However, Those Historical Circumstances Will not Belittle The Very Fact That The Denis D'or Can With Reason Be Considered The Forefather Of All
Electrophones, A Minimum Of From The Idealistic Purpose Of Read.
Indeed, Once The German The ologist Johann Ludwig Fricker (1729-1766)
Visited Diviš In 1753 And Saw The Denis D'ortogether With His Own Eyes, He Cited It Journal Of The University Of Tübingen
As An "Electrisch-Musicalische[S] Instrument" - The Literal
Translation Of That Is "Electric Musical Instrument".
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