Bibliography
A Broad Survey Of North Yankee Indian Music Seems In Marcia Herndon, Native Yankee Music (1980), By A Cherokee
Author. Data On The Music Of Many Completely
Different Tribes, Written In Most Cases By Native Yankee Musicians, Is Obtainable By Charlotte Letter Of The
Alphabet (Ed.), Native Yankee Dance: Ceremonies And Social Traditions (1992). An Summary Of North Yankee Indian Music, Followed By
Articles On Regions, Instruments, 20th-Century Developments, And Different Topics, Is Provided By Ellen
Kosk off (Ed.), The Garland Reference Book Of World Music, Vol. 3, The U. S. And North American Country (2001).
Sources That Address The Music Of
Specific North Yankee Tribes And Repertories Embody Beverley Cavanagh, Music Of
The Netsilik Eskimo: A Study Of Stability And Alter, 2 Vol. (1982), The Sole Recent Full-Length Study Of Associate Degree Arctic Musical Culture; Charlotte Johnson Frisbie, Kinaaldá:
A Study Of The Navaho Girl’s Time Of Life ceremony (1967, Reissued With A Brand New Preface, 1993), Associate Degree In-Depth Analysis Of Music In An Exceedingly Major Life-Cycle Ritual; Virginia Giglio, Southern Cheyenne
Women’s Songs (1994), That Discusses Lullabies, Hand-Game Songs, And Alternative Women’s Genres; James H.
Howard And Victoria Lindsay Levine, Choctaw Music And Dance (1990), A
Comparison Between Mississippi And Sooner State Choctaw Musical Traditions; Richard Keeling, Call For Luck: Sacred Song And Speech
Among The Yurok, Hupa, And Karok Indians Of North western Ca (1992),One In All The Few Studies Ever Manufactured From Native Musics Of This Region; Bruno
Nettl, Blackfoot Musical Thought (1989), The Primary Full-Length Study Of The
Musical Thought And Ideas Of Associate Degree Yankee Indian Tribe; Willie Smyth
And Esmé Ryan (Eds.), Spirit Of The Primary People: Native Yankee Music Traditions Of Washington State (1999), That Provides Essays On Varied Northwest Coast And Tableland Traditions, Most Of That Ar written By Native Yankee Authors; And Judith Vander, Song prints: The Musical Expertise Of 5 Shoshone Ladies (1988, Reissued 1996), The Primary Full-Length Treatment Of The
Musical Expression Of Indian Ladies.
Books On Native North Yank Musical Instruments Embody Beverley Diamond, M. Sam
Cronk, And Franziska Von Rosen, Visions Of Sound: Musical Instruments Of 1st Nations Communities In
Northeastern America (1994), A Ground breaking Study Of Native Yank Instruments Supported Autochthonous Ideas And Classification Systems;
And Thomas Vennum, Jr., The Ojibwa Dance Drum: Its History And Construction
(1982), That Offers Elaborate Info On creating And Decorating A Ceremonial Drum.
Detailed Data On The Powwow Is Provided By Town Browner, Heartbeat Of The
People: Music And Dance Of The Northern Pow-Wow (2002), The Primary Full-Length Book On The Subject By A Native Yank (Choctaw) Scholar And Powwow
Dancer; Luke E. Lassiter, The Ability Of Kiowa Song (1998), That Offers Insight Into The
Southern Style; And William K. Powers, War Dance: North American Indian Performing Arts (1990), A Compilation Of Articles.
The Illustration Of Native North Yankee Musics In European Music Notation Is Explored In Victoria
Lindsay Levine (Ed.), Writing Yankee Indian Music: Historic Transcriptions, Notations, And
Arrangements (2002), Which Has Samples Of Autochthonous Music Notation Systems Furthermore As Work By Students And Composers World Health Organization Ar Themselves Native Americans.
An Introduction To Endemic Musics From North American Country And Central America Additionally As additional Specific Info On Individual Tribes Seems In Vale A. Olsen And Daniel E. Sheehy (Eds.), The Garland reference Work Of World Music, Vol. 2, South America, Mexico, Central America, And Also The Caribbean (1998). Sources That Address The Music Of Specific Tribes From North American Country And Central America Square Measure Larry Civil Rights Worker And Felipe S. Molina, Yaqui Cervid Songs, Maso Bwikam: A Native Yank Poetry (1987), A Study Of Yaqui Songs And Song Texts Coauthored By A Non-Indian Scholar And A Yaqui Singer; Frank Harrison And Joan Harrison, “Spanish Components Within The Music Of 2 Maya Teams In Chiapas,” Elect Reports In Ethnomusicology, 1(2):1–44 (1968), That Discusses 16th-Century Spanish Influences In 20th-Century Maya Music; Samuelmartí And Gertrude Prokosch Kurath, Dances Of Anáhuac: The Choreography And Music Of Precortesian Dances (1964),That Contains Valuable Illustrations Of Ancient Mexican Musical Instruments; Sandra Smith Mccosker, The Lullabies Of The San Blas Cuna Indians Of Panama (1974), A Close Study Of Musical Genre, Instruments, And Song Texts; Henry Martyn Robert Stevenson, Music In Mexico: A Historical Survey (1952, Reissued 1971), That Provides Info On The First history Of Endemic Mexican Musics And On The Indianist Movement Among Mexican Composers; And Thomas Vennum, Jr., “Locating The Seri On The Musical Map Of Indian North America,” Journal Of The South west, 42(3):635–760 (Autumn 2000), Associate In Nursing Complete Treatise On A Antecedently Little-Known Musical Culture.
A General Survey Of Native Musics Of Geographical Area Is Obtainable By Gerard Béhague, Music In Latin America: Associate Degree Introduction (1979), The Author Of Britannica’s Latin American Music Article. Sources On Specific native Musics From South America Embody Ellen B. Basso, A Musical Read Of The Universe: Kalapalo Story And Ritual Performances
(1985), That Traces Relationships Between
Kalapalo Story, Ritual,
And Song Texts; Eating Apple Hill, “Kamayurá Flute Music: A Study Of Music As
Meta-Communication,” Ethnomusicology, 23(3):417–432 (September 1979), A Study
Of 3 Totally Different Flute Repertories And Their Symbolism; Valley A. Olsen, Music Of The Warao
Of Venezuela: Song Individuals Of The Rain Forest (1996), A Close Examination Of Music And
Shamanism Of A Tropical Forest People; Carol E. Robertson, “‘Pulling The
Ancestors’: Performance Follow And Effectuation In Mapuche Ordering,” Ethnomusicology, 23(3):395–416
(September 1979), That Discusses The Performance Of Tayil By Feminine shamans
Among The Mapuche; John M. Schecter, The Indispensable Harp: Historical
Development, Fashionable Roles, Configurations, And
Performance Practices In South American
Nation And Geographical Area (1992), A Study Of associate
Degree Instrument Foreign From European Nation That Has Become Indigenous; Anthony Seeger, Why Suyá Sing: A
Musical Social Science Of Associate Degree Amazonian Individuals (1987, Reissued 2004), That Explains One Specific
Ceremony And Its Role In Suyá Music And Culture; And Thomas Turino, Moving Removed From Silence: Music Of The Peruvian Altiplano And Therefore The Expertise Of Urban Migration (1993), A
Landmark Study Of Native range Wind Ensembles.
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