Atlantic Coast
Choral Textures Take Issue By Genre And Embody Monophonic Music In Shamanic Songs, Decision And Response In Collective Dance Songs, And Parallel Harmony (I.E., Identical Melodic Contour At Completely Different Pitch Levels) Inlay Songs. Additionally, The Kuna Perform A Genre Of Flute Music In Interlocking Vogue, Dividing The Notes Of The Melody Between 2 Players. Few Details Regarding Musical Type Area Unit Obtainable, However It Seems That unvaried , Strophic, And Through-Composed Forms Exist Within The Music Of This Space. Song Texts Feature Repetition Of Phrases Or Individual Words And Incorporate Vocables Likewise As Archaic Words. Some Distinctive Musical Instruments embody A Bribri Rubbed Instrument Made Of Associate In Nursing Edentate Shell, Kuna Flutes Arrange Around A Dancer’s Neck As A Form Of Rattle, And A Miskito Mirliton—A Bat’s Wing Stretched Between Reeds And Encircled With Beeswax—That A Singer Places In His Mouth So As To Change His Vocal Quality Throughout Ceremonial Occasion Rites. Performance Contexts Embody Healing, Initiation Rites Like The Kuna Girl’s Pubescence Ceremony, Funerals, Collective Ritual Dances, Lullabies, And Social Gatherings.
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