Piri
The Piri Could Be A Korean Double Reed Instrument, Employed In Each The People And Classical (Court) Music Of choson. It's Fabricated From Bamboo. Its Massive Reed And Cylindrical Bore Offers It A Sound Mellower Than That Of The Many Alternative Styles Of Double Reed. In The Typical Piri, There Square Measure Eight Finger Holes On The Bamboo Body.
Seven Of The Finger Holes Square Measure On The Front And One Is On The Rear For The Thumb.
There Area Unit Four Kinds Of Piri:
Hyang Piri
Se Piri
Dang Piri
Dae Piri
There Area Unit Differing Kinds Of Piris As A Result Of Every Is Fitted To A Distinct Style Of Music And Use. The Hyang Piri Is That The Longest And Most Typical Out Of All Piris. Due To Its Loud And Nasal Tone, It Always Plays The Most Melody In An Ensemble. The Se Piri Is That The Smaller, Thinner, And Far Quieter One. To Boot, Due To Its Quiet Tone, It's Used At The Side Of Voices Or Soft Stringed Instruments. The Dang/Tang Piri Is Wider And Is Analogous To The Chinese Guanzi Instrument. To Boot, The Dae Piri Could Be A Progressive Piri, With Keys And A Bell,Wanting Rather More Sort Of A Western Hautboy.
Piri Is Assumed To Possess Been Introduced To Korea From A Rustic Bordering West Of China Before Goguryeo amount. Per Suseo , Piri Was Conjointly Referred To As Gagwan , And It Originates From Kucha. Through out The Reign Of King Yejong Of Goryeo Phratry, Another Double-Reed Cylindrical Instrument Was foreign From Song China, And To Clarify, The Previous Was Named Hyang Piri And Therefore The Latter Dang Piri. Se Piri Is Smaller Than Hyang Piri However Has A Similar Structure And Vary. Se Piri Seems To Be Made-Up Abundant Later Than Hyang Piri. The Piri's Equivalent In China Is That The Gallinaceous Bird (Also Referred To As Bili),
And Its Counterpart In Japan Is That The Hichiriki.
P’iri, Additionally Spelled Piri, Korean Double-Reed Instrument, A Kind Of Cylindrical Double-Reed Instrument. The Big Mouthpiece And Also The Body Ar Fabricated From Bamboo, And There Ar Eight Finger Holes, Seven On The Front And One On The Rear.
Three Kinds Of P’iri Are Developed, Every Suited To Explicit Uses. The Biggest Is That The Hyang-P’iri, That Isregarding Twenty Seven Cm (11 Inches) Long And Contains A Reed That's Seven Cm (3 Inches) Long. As A Result Of Its Tone Is Loud And Nasal, The
Instrument Typically Plays The Most Melodic Half In Ensembles. It Seems In Court, Shaman, And Folks Genres, Together With The Solo Virtuoso Sanjo Music. The
Smaller And Softer Se-P’iri Is Employed In Lyrical Genres, With Voice Or Soft
Stringed Instruments. For The Chinese-Derived Tang-Ak And Also The Korean Hyang-Ak Court Music, The Foremost Strident Of The P’iris, The Tang-P’iri,
Is Used. This Instrument Is Regarding The Dimensions Of The Se-P’iri However Contains A Larger Bore.
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