A Theorbo Could Be A Plucked String Instrument. As
A Name, Theorbo Signifies Variety Of Long-Necked Lutes With Second Peg boxes, Like The Liuto Attiorbato, The French Théorbe Des Pièces, A People Theorbo, The Archlute, The German Baroque Lute, The Angélique
Or Angelica. The Etymology Of The Name Tiorba Has Not Nonetheless Been Explained Sufficiently. It's hypothesized That Its Origin Might Need Been Within The Slavic Or Turkish "Torba", Which Means "Bag" Or "Turban". Consistent With Saint Athanasius Kircher, Tiorba Was A Nickname Within The City Accent That Really Denoted The Grinding Board Utilized By Perfumers For Grinding Essence And Herbaceous Plant.
Theorbo, Massive Bass Lute, Or Archlute, Used From The Sixteenth To The Eighteenth Century For Song Accompaniments And For Bass Part Components. It Had Six To Eight Single Strings
Running On The Fingerboard And, Aboard Them, Eight Off-The-Fingerboard Bass Strings, Or Diapasons. Each Sets Of Strings Had Separate Peg boxes Connected By Associate In Nursing S Curve Within The Instrument’s Neck. On 18th-Century Theorbos Almost The 2 Prime Courses Of Strings Were Double.
A Similar, Smaller Instrument, The Theorbo-Lute, Or French Lute,
Was A Modification Of The Regular Double-Strung Lute, To that Were Supplemental One To A Few Off-The-Fingerboard Courses Of Bass Strings. There Have Been 2 Peg boxes, One angular Backward. Smaller And Additional Agile Than The Theorbo, The Theorbo-Lute Was The Favorite Of The 17th-Century College Of French Lutenists; Through Them, It Influenced The Design Of French Klavier Music.
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