Kudum        

          Kudüm Is One In Every Of The Fore most Basic Rhythm Instruments In Classical Turkish Music. The Person Enjoying it's Referred To As Kudümzen. It's Among Full General, Rebap, And Halile Joined Of The Four Main Instruments In Mevlevi Music. It Consists Of A Try Of Little, Subfigure Drums. Historically Kudüm Was Vie In Profane} Ceremonies; In A Very Secular Context, Like In Mehter Music, Its Slightly Larger First Cousin Nakkare Is Vie.

          The Drums Ar Some 28-30 Cm. In Diameter And Concerning Sixteen Cm High, Growing Narrower Toward Very Cheap Sort Of A Half-Sphere. They're Manufactured From Crushed Copper, And Check 2 Bowls, One Larger Than The Opposite. The Distinction Within The Thickness Of The Skin Within The 2 Bowls Produce A Distinction In Pitch: The High-Pitched Drum (Tek) Is Placed On The Left, The Opposite (Düm) On The Correct. The Tek, With Its Diluent Skin, Is Slightly Smaller Than The Düm. The Stress Within The Skin Are Often Adjusted To Tune The Instrument In Step With The Makam Of The Music Being Compete. Camel's Skin Is Sometimes Most Well-Liked, Though Typically Bovine Orartiodacty Is Additionally Used. The Drums Ar Placed On 2 Animal Skin Links Stuffed With Cotton To Fore stall them From Slithering And To Avoid Direct Contact With The Ground To Induce The Correct Sound. The Kudüm Is compete With 2 Wood Sticks Manufactured From Soft Wood Called Zahme. The Metal Body Of The Kudüm Is Mostly coated With Animal Skin To Forestall It Giving Off A Tinny Sound.

             Historically, The Kudüm Was Vie And Developed By The Mevlevis In Non Secular Ceremonies. In Fact, It Had Been Not till The Twentieth Century That The Instrument Was Utilized In Thought Turkish Music Genre. It Had Been Utilized In A Non religious Setting For The Primary Time In 1947 In A Very Concert Organized By The Üsküdar Musical Association. In 1957, The Primary Radio Performance Was Performed By Kudümzen Hurşit Ungay. Cafer Açın Was AN Instrument Maker UN Agency Created Vital Changes Within The Creating Of The Instrument Within The Latter 1/2 The Twentieth century. Sadettin Heper Is Additionally A Vital Musician Whose Music Concerned The Instrument.